Grassi (1980) aims to return to the definition of rhetoric espoused by the Italian Humanists to give rhetoric a new relevance for contemporary times, making use of the concept of ingenium-recognizing similarities-to grasp our ability to distinguish relationships and make connections. A sound rhetoric presupposes dialectic, bringing action to understanding.
In his view, rhetoric supplements the knowledge gained through dialectic with a consideration of the character and situation of the audience.
#DIALECTIC MEANING PLUS#
He defines rhetoric as 'truth plus its artful presentation,' which means that it takes a 'dialectically secured position' and shows 'its relationship to the world of prudential conduct' (Foss, Foss, & Trapp, 1985, p. " Weaver (1970, 1985) believes that what he considers as the limitations of dialectic can be overcome (and its advantages maintained) through the use of rhetoric as a complement to dialectic. ( Strategic Maneuvering in Argumentative Discourse: Extending the Pragma-Dialectical Theory of Argumentation. Within the humanities, rhetoric has become a field for scholars of communication, language, and literature while dialectic, which was incorporated in logic and the sciences, almost disappeared from sight with the further formalization of logic in the nineteenth century."
The division (which is still very much alive in present-day argumentation theory) then resulted in two separate and mutually isolated paradigms, each conforming to different conceptions of argumentation, which were considered incompatible. With Ramus this development culminated in a strict separation between dialectic and rhetoric, rhetoric being devoted exclusively to style, and dialectic being incorporated in logic. "In medieval times, dialectic had achieved a new importance at the expense of rhetoric, which was reduced to a doctrine of elocutio and actio (delivery) after the study of inventio and dispositio had been moved from rhetoric to dialectic.
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